Ian Douglas-Moore is an American musician based in New York City. He uses guitar, electronic tones, and field recordings to examine the textures of layered resonant sounds as they engage with acoustic space. Dominic Coles and Eric Wong now based in Berlin. Dominic Coles’s work investigates the interactions of place, personhood, and power as they are articulated in sound, attempting to complicate and intervene in these categories through specific acts of technologically mediated listening. He runs 'Party Perfect!!!' with Hunter Brown. Eric Wong is both a guitarist and electronic musician. As an electronic musician, he focuses on utilizing smartphones and Bluetooth speakers for his compositions and performances. He has released 'Dzan-puku' (Aloe-004) with Seiji Morimoto on Aloe Records.Aloes' trio/group series is excited to present its debut album 'under under hill': An exquisite collection explores resonance and psychoacoustic experiences, achieving remarkable harmony through the interplay of prepared electric guitar, digital signals from laptop, and Bluetooth speakers within the space. Each track carries a distinct fragrance—long-lasting, crisp, and refreshing, with a hint of lightness and sweetness.

Zhu Wenbo is a multi-instrumentalist and composer who is dedicated to "music that doesn't sound like music", and he has released 'Four Lines and Improvisation' (Alone-001) and 'Jyunishi 十二支' (Aloe-003) on Aloe Records. Fat City was a band that contains elements of lo-fi, krautrock, noise rock, etc., it is one of the representatives of Beijing D-22 underground rock memories. Years later, during a performance at the Xiaozu Works, Zhu Wenbo somehow decided to cut and read the lyrics while the four-track recorder slowly spun. The collage style seems to have shades of William S. Burroughs and David Lynch."Fat City is my first band. Ma Meng and I started rehearsal in late 2008, and we stopped activities at the beginning of 2013. At that time we really wrote a bunch of songs. Thanks to some suitable opportunities, I decided to do a special performance at Xiaozu Works on November 1st, 2024, using the lyrics of Fat City as performing materials. I printed all these lyrics on paper, and during the performance I cut them into fragments and picked them randomly and read. The process lasted long time, meanwhile I used a four-track cassette recorder recording and playing back. Forward, reverse, fast and slow. Twenty four lyrics in total. This is all the lyrics I can find, but there are still some forgotten. Now these songs sound like the same song. They have always been like this. " - Zhu Wenbo

Li Song is a London-based musician and computer programmer. He performs improvised music with his computer and composes music using electronics and acoustic instruments. Luciano Maggiore is a Palermo-born, London-based musician whose work is characterised by the use of speakers and several analogue/digital devices (samplers, CD players, walkmans, tape recorders) as well as acoustic objects and addresses the performativity of the musical act, the perception of it, and the obscurity that emanates from it. His main interests include mechanisms of sound diffusion, performance, repetition, endurance, non-human animal languages, dance, and folklore.This album was recorded beneath the railway arches and across the marshes of Walthamstow, London. It captures the subtle interplay between portable electronics and the rhythmic pulse of passing trains. Rather than erasing the urban environment, the artists added white noise to create a unified sonic landscape. The result is a semi-composed, semi-improvised exploration born from the interweaving arches of environmental factors and human dialogue—a piece of music that eschews self-awareness in favour of a supernatural imbalance.The work functions as a collaboration between Li's "no-performance" practice and Maggiore’s fascination with repetition and endurance. A creation of time in which the boundaries between performer, device, and environment finally dissolve.

Zhao Cong is an experimental musician based in Beijing. She uses a variety of everyday objects, amplified by pickups from varies microphones, to bring out unfamiliar and heterogeneous sounds. She has released solo album '55355' (Alone-004) on Aloe Records in 2023. Kevin Corcoran, based in San Francisco, is a percussionist and sound artist whose work engages with sonic material across a multiplicity of domains, using a variety of approaches such as improvised performance, field recordings and sound installations.'-1 outside / 24 inside' was recorded after the duo's performance at Aloe on-site #20. The two tracks were captured separately: one evening in an underground pass-way, and another during daytime in a studio. Both locations are venues in Beijing that consistently hold experimental music concerts. Resonating with the album title on both metaphorical and geographical levels. With their playing, you can hear the touch of the musicians' hand, hear the variations between amplified and un-amplified objects, and how sounds change in different spaces.

Yan Jun is a Beijing-based musician and poet. He previously released 'it works' (Alone-002) on Aloe Records, and his creative materials range from electronic feedback to plastic bags. He is also an experienced vocal performer. In recent years, there has been a significant change in his vocal performances, with his vocal cords vibrating like feedback — or perhaps one could say that they resemble the voice of a 'human object'. Ryu Hankil is a computer musician, improviser and writer based in Seoul. His work revolves around sound writing and sonic fiction. His exploration of how an object's inherent vibrations can constitute a musical context has led him to realise that sonic thinking has the power to create diverse forms of fiction.This album was recorded in Shanghai in 2024 and completed in Beijing in 2025. The Shanghai recordings are imbued with an eerie sense of multiple spaces compressed into a single moment in time: This includes Yan Jun's vocals echoing within a small room, fictional narratives and reverberations within Ryu Hankil's Max/MSP patch ⑥, and a cacophony of outdoor street sounds interspersed with MAI mai's occasional guitar practice. Later, before their concert in Beijing, they spent a few days at Mount Changbai. During this time, a shift in their collaboration became palpable, with the woody sounds emanating from Ryu Hankil's ⑧ and Yan Jun's shaman-like voice returning to a kind of primal ritual.While this is not a professional studio album, it is a unique, unpolished work presented in its raw form.

Francesca Ogbuachi is a Photographer, Writer, Storyteller and music maker from time to time, although she is unable to read music notes. She is Italian, born to Nigerian parents, and her way of speaking and saying things that she usually wouldn't be able to say is predominantly through Photography, Writing, Videography and playing the piano, which has been a very significant part of, not only her way of working ever since it came back in the picture, but especially of her life. Francesca’s work is all analogue choosing film over digital often using Super 8 for her film work and preferring hours on the dark room over sitting at s computer. One of her inspirations, if not my main one, is everyday people and their way of being unpredictable, which is the whole premise of my writing, and something that is also translating in what she plays, which still baffles her.

pre-order, arriving late december / early jan Amazing duo perfromance by Hamid Drake and Piano, recorded at the Shenzhen Jazz Festival in China, during late Cotober of 2019, issued by the always amazing Shenzhen based imprint Old Heaven.  Hamid Drake - 鼓 Drums / 打击乐 Percussion / 框鼓 Frame Drum / 人声 Vocals Pat Thomas - 钢琴 Piano 录制于第九届 OCT-LOFT 国际爵士音乐节，深圳 B10 现场，2019 年 10 月 20 日 Recorded at the 9th OCT-LOFT Jazz Festival, B10 Live, Shenzhen, October 20th, 2019

Pavel Eremeev: drums, electronics & feedbacks, mixing & mastering Artёm Galkin: guitars, bells, shankha, cover art Katya Shirshkova: harmonium on track 4 Wu Yilin: cassette design

A1、B3、B4为马木尔个人作品，B1是阿西木·东希（Əxim Dongxe ule）作曲，B5为塔塔尔民间乐曲改编，其余为哈萨克民间乐曲改编。 Track A1, B3 and B4 are original compositions by Mamer, track B1 is composed by Ashim Dongxeuly, track B5 is a Tatar traditional folk tune, the rest are based on Kazakh traditional folk tunes. “模仿者系列第六场：星空”现场录音，2024年6月19日录制于旧天堂书店。 Live recording from Mamer's solo performance 'The Imitator Series Ⅵ: Sky' on June 19, 2024 at Old Heaven Books.

Live recording from Mamer's solo performance 'The Imitator Series Ⅷ: Dirty' on June 25, 2024 at Old Heaven Books.

Live recording from Mamer's solo performance 'The Imitator Series Ⅺ: Fake Jazz' on July 3, 2024 at Old Heaven Books.

Live recording from Mamer's solo performance 'The Imitator Series V: Underground Factory' on June 18, 2024 at Old Heaven Books.

Les Disques Bongo Joe are pleased to announce the fourth album of La Tène ! Collaborating for the third time with the band, we're proud to release Ecorcha/Taillee, a two track project in between drone, folk, experimental and occitan music. La Tène’s long, hypnotic, wordless pieces are built from traditional folk instrumentation, wild percussion and blurred, subtle electronic embellishments, and feel as ancient and earthy as those millennia-old artefacts – with all the metal, wood, dedication and craftsmanship they entailed. As on their previous release Abandonnée / Maleja, a double set running to over 80 minutes, Cyril Bondi, Alexis Degrenier and Laurent Peter expand to seven members in total. Cohorts Jacques Puech (cabrette – a small bagpipe associated with the Auvergne region of France), Louis Jacques (cabrette and a larger, 23” bagpipe), Guilhem Lacroux (12-string guitar) and Jérémie Sauvage (bass) each return to add colour, layers and intrigue. Ecorcha/Taillée was recorded in a barn converted into a ballroom and cultural centre which exists to promote the folk music of region Auvergne. Both L’Ecorcha (eighteen and a half minutes long) and La Taillée (just under a quarter of an hour, brevity by this group’s standards) were recorded live and what you hear is a single take, with no editing after the fact. L’Ecorcha goes into space with simple, minimal tools. Beginning with a single, doomy chord circling in perpetuity and a metallic shaker by way of rhythm, a drone of unspecified provenance is joined a little under halfway through by Alexis’ hurdy-gurdy, adding bucolic buoyancy while Laurent uses the wooden surface of his harmonium as an extra percussive source. La Taillée is spikier, danceable even thanks thanks to Cyril’s insistent drumming and the harmonium and hurdy-gurdy moving in a glorious lockstep. If you were to think of the relationship between Lou Reed’s guitar and John Cale’s violin while taking in La Taillée, you wouldn’t be OTT by any means. nspirations, soundalikes and kindred spirits are elusive and fleeting in the case of La Tène. There are a couple specific to Ecorcha/Taillée, both brought to the table by Alexis : a Christian song titled La Passion, collected in 1883 by French folklorist Félix Arnaudin, and a reggaeton hit single from 2022, Saoko by Spanish star Rosalía. La Taillée adapts its crunchy central riff in La Tène’s own image. It’s that link between the past and the future that also rings out in the music of La Tène.  Alexis Degrenier : Amplified Hurdy-Gurdy - Vielle À Roue Amplifiée Cyril Bondi : Percussions - Percussions D’Incise : Indian Harmonium, Electronic, Percussions - Harmonium Indien, Electronique, Percussions Jacques Puech : Cabrette - Cabrette Louis Jacques : Cabrette, 23'' Bagpipe - Cabrette, Cornemuse 23'' Guilhem Lacroux: 12 Strings Guitar - Guitare 12 Cordes Jérémie Sauvage: Electric Bass - Basse Electrique

Infant Tree, August 2025Caius Williams is a musician from London who plays the double bass, guitar, and bass guitar. He works in collaboration with others, alongside an ongoing solo project, and often works with improvisation. Some projects include ‘Crosspiece’ (with Theodora Laird), a duo with guitarist Tara Cunningham, alongside recent performances or collaborations with Lifetones (Charles Bullen of This Heat), Steve Noble, feeo, Daniel O’Sullivan, Mark Sanders, Sachiko M, Tom Challenger, Maggie Nicols, Mark Wastell, amongst others. Caius has been running the GRAIN series at Avalon Cafe in Bermondsey for the last 3 years, which is focussed on programming new and adventurous music and nurturing a growing community with cross-scene and cross-generational collaboration. https://caiuswilliams.bandcamp.com/musichttps://www.instagram.com/caiuswilliams_https://www.youtube.com/@GrainResidency   Tara Cunningham is a guitarist and composer whose work focusses on both improvisation, and pushing the textural boundaries of her instrument. Ongoing projects include; duo with bassist Caius Williams and acid-jazz group Red Snapper. She has also recently recorded part of Jack Cooper’s Modern Nature for their fourth studio album, as well as currently working with drummer Seb Rochford on his latest project for 6 guitars.

Bogancloch is the new film by Ben Rivers. This soundtrack release is an expanded and adapted version of the film’s score produced for cassette, featuring Jake Williams and Alasdair Roberts with sound design and mix by Chu-Li Shewring. It will be available first at the BFI in London on 2 May 2025.Bogancloch is where Jake Williams lives, nestled in a vast highland forest of Scotland. The film portrays his life throughout the seasons, with other people occasionally crossing into his otherwise solitary life. At the heart a song, an argument between life and death, each stating their case to rule over the world. The film is without exposition, it aims at something less recognisable, a different existence of reality observed in discrete moments. A sequel to Two Years at Sea (2011), charting a subtly changing life in a radically changing world.numbered + handmade in an edition of 75 copies with on-body screen print and eco-x slip; each copy contains two-panel foldout with photographs by BEN RIVERS

Simultaneously casual and sincere, Deng Boyu’s latest output on cassette, Tractor Academy, is both a tongue-in-cheek teaser and a wildly romantic postscript to his upcoming solo LP. The eight songs here unveil the instinctual id beneath the electronic alter ego of Deng Boyu, known primarily as the ever-present drummer in China’s young and vibrant scene of free jazz and improvisation. This is one of a kind Northern Chinese IDM lit up by a whimsical touch of nostalgia. The sound textures – created by a toolkit comprised of a vibrator, a gong, and various metal objects – are distinctively dumb and dusty; the compositions are freewheeling in form, but heavily loaded with noise and personal history. It is a misfunctioning time capsule, what you'll get travelling back to a Disco dancehall of early ‘90s Inner Mongolia – where Deng Boyu first felt the thrill of the groove in his troubled adolescence – and doing a lavish Autechre dakou DJ set in it. So please sit back and relax, now that IDM has long lost its association with human intelligence, let’s hear Deng Boyu tell that old joke again. *You will find the first half of “Transmission Pt. 2” (Track 1) in Deng Boyu’s upcoming LP, Chimney Complex, to be released by Chinese label Badhead later this year. --- Dusty Ballz is a London-based label that releases Chinese underground music on cassette tapes. The term originates in an old Soviet joke, which somehow still speaks to the situation today. --- All music by Deng Boyu Woodcut by Tiemei Calligraphy by Zhao Sancai

Extremely limited edition cassette with UV printed tapes and a hand painted element on the clear cases. Edition of only 100 tapes! Bob Bellerue - zither, harmonica, whistling, gourds, electronics, feedback Katie Porter- bass clarinet No Edits or Overdubs Eternities is an intuitive collaboration between bass clarinetist Katie Porter and sound artist Bob Bellerue. Their work is inspired by deep presence, resonant feedback, melodic drone, and overtone magic, in the fluid realm between intention and indeterminacy. They use harmonic tones from wind instruments played within feedback systems to create multidimensional spectral drones. This release is live recordings from 2023 and 2024 full of lush clarinet timbre and organic modulations and deformations stretching across two tracks of this remarkably consistent "noise" duo. Physical edition is a lovely small run of 100 UV printed cassettes in a clear hand printed case.