28 pagesprinted and manufactured in Englandstaple bound14cm x 20cm

36 pagesprinted in Englandstaple bound14cm x 20cm

20.11.1928 pages14cm x 20cmb/w digital

36 pagesprinted in Englandstaple bound14cm x 20cm

British-born photographer Janette Beckman began her career at the dawn of punk rock working for music magazines The Face and Melody Maker. She shot bands including the Clash, the Specials, Boy George and the Jam as well as three Police album covers. Drawn to the underground hip-hop scene, she moved to NYC in 1983 and photographed pioneers such as Run DMC, Slick Rick, Salt-N-Pepa, Grand Master Flash, LL Cool J and more. Beckman has published four books : ‘Made in the UK, Music of Attitude 1977-1982’, ‘The Breaks Stylin’ and Profilin’1982-1990’ ‘El Hoyo Maravilla’ and in 2018 ‘The MashUp’ a collection of her Hip Hop photographs reinterpreted by legendary graffiti artists. Her work has been exhibited in galleries worldwide and is in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, Marseille Musée des Civilisations de l'Europe, and the Tokyo Nakamura Keith Haring Collection She lives and works in New York for clients including Levi’s and Dior.

Different Voices: Irish Music and Music in Ireland provides new insight into contemporary music in Ireland. Through twelve interviews with Irish or Ireland-based composers ranging in age from 26 to 80, Different Voices delves into the compositional and stylistic eclecticism of Irish music. In the Introduction, Benjamin Dwyer overviews music in Ireland from 1700 to the present, exploring how significant historical and socio-political factors such as English colonialism, Irish nationalism, religious and state censorship and globalization have shaped the trajectory of Irish music. The interviews raise themes central to the study of Irish music such as the relationship between European and ethnic music traditions, music styles and practices, the notion of „Irish“ identity, music“s role in society, the role of politics, particularly feminism, and the reception of contemporary music in current Irish and international media. Different Voices: Irish Music and Music in Ireland breaks new ground in the study of contemporary music from Ireland, an important aspect of European culture still largely unexplored.

“During her creative career, Lauren Newton has explored multiple musical dimensions with a strong focus on improvisation, concomitantly searching out and developing myriad vocal techniques. In Vocal Adventures she takes the reader on a journey into her experience that is at once an introduction to deep listening, a series of master classes on voice (from consciousness of breath to the mysteries of multiphonics), and an account of both the social and spiritual dimensions that are engaged in a complete artistic practice. Remarkably, she also does this in a way that is inviting, lucid and eminently practical.” Stuart Broomer, author of Time and Anthony Braxton “Vocal Adventures by the grand master of improvising with the voice is finally here! The significance of Lauren Newton’s work as an artist, educator and author cannot be overstated: She is one of the creators and trailblazers of the art that moves in sound, space, spirit and song. Well worth the wait, this book offers everything and more to all those interested in vocal experimenting and exploring could wish for.” Susanne Abbuehl, singer, composer, educator “These Vocal Adventures chart a decades-long exploration of soundscapes – ones produced by the outside world but most prominently those created through free improvisation in music. The expedition into this realm of musical experience and expression has taken the author across oceans and continents, with diverse musical encounters providing invaluable sources of inspiration and a wealth of learning and teaching opportunities while enriching her own ideas and approaches along the way. This book aspires to guide others (not only singers) interested in exploring the many facets of free musical improvisation in terms of technique, practice and (solo and group) performance as well as to offer up her own reflections on its essence, its affinity to the human imagination and the multitude of soundscapes it is capable of evoking.” Susan Nurmi, literary scholar, educator, translator Lauren Newton, born in Oregon, USA, completed classical voice studies at the University of Oregon and the State University of Music in Stuttgart, Germany, where she has lived since 1974. She began expanding her range of voice techniques without using words, focusing primarily on vocal expression, and gained recognition in both the jazz and avant-garde music scenes. She performed solo and toured with various ensembles in the USA, South Korea, India, Japan and throughout Europe. In 1983, she received the annual German Critiques Award for Timbre, her first recording as bandleader. Concerts and recordings with: Vienna Art Orchestra (1979-90), Vocal Summit (1982-83), vocal quartet Timbre (1990-2007), Anthony Braxton, Fritz Hauser, Joëlle Léandre, Koichi Makigami, Phil Minton, Barre Phillips, Aki Takase, Vladimir Tarasov and the Austrian poet Ernst Jandl (among others). Her own projects have included compositions for music and theater productions, small and large ensembles, choirs and radio plays. She taught jazz vocals and free improvisation at universities in Graz (Austria), Essen (Germany) and Lucerne (Switzerland). She continues to perform and give Vocal Adventures workshops. Her discography to date encompasses over 85 recordings. In 2020 she received the Lifetime Achievement Jazz Award from the state of Baden-Württemberg, Germany.

‘Through their deep attention and engagement with ever-changing surfaces and the materiality of representations, the poems in Artifice open outwards into encounters with the mystical and divine. This startling debut collection offers the reader a set of compasses that orients us towards that which is veiled, the unspeakable and unknown – what more could we ask for?’ – Lucy MercerArtifice, the debut collection by Lavinia Singer, is an exploration of the art of making. Its poems celebrate the artistry of craftsmanship: how works relate to beauty, and how they might inspire or ensnare. They consider issues of artificiality and authenticity, ‘the man-made’ and ‘the natural’. They warn of artfulness, in the sense of cunning or deception. And they wonder at the mystery of art and language, that which resolutely remains unknown or ineffable. For Artifice is as much riddle as revelation, stirring delight and discomfort as it delves into the nature of aesthetics and the creative process. How are works made and how do they make us, in turn? What worlds can be built from words? This book dwells in possibility, presenting an ambiguous space for contemplation, connection and, ideally, hope. --- Lavinia Singer is the author of the pamphlet Ornaments: A Handbook (If a Leaf Falls/Glyph Press, 2020) and co-editor of Try To Be Better (Prototype, 2019), a creative-critical engagement with the work of W. S. Graham. Artifice is her first full collection of poetry.

Beautifully designed diary and week-to-view planner filled with historically significant magical and sacred dates from around the world. Drawn from events such as the Buddha’s birthday, esoteric festivals and artistic and occult history, the diary touches on the lives of characters such as Ursula K. Le Guin, Ithell Colquhoun, Zora Neale Hurston, Carl Jung, Simone Weil, Leonora Carrington, Maya Deren, Aleister Crowley, George Bataille, Timothy Leary, Hilma af Klint, Saint Hildegard of Bingen, William Blake, W.B. Yeats and Octavia Butler.   The diary provides full astrological navigation for 2024 with an overview of the year by astrologer Gray Crawford, a birth chart template and guides to moon magic, houses, planets and symbols. A guide to key transits, retrogrades and lunar phases allows you to organise your life in alignment with the astrological weather. A global map showing sacred sites provides inspiration for transformative pilgrimages. Rituals by artists Alexis Pauline Gumbs, Bhanu Kapil, Nisha Ramayya and Himali Singh Soin, and tarot spreads by adrienne maree brown, Sarah Faith Gottesdiener and Pam Grossman, offer guidance and space for reflection throughout the year. Additional sources of inspiration include guides to sonic meditation by Pauline Oliveros, sacred spaces by Leila Sadeghee, mushrooms by Ellen Percival, and spellcraft by Bones Tan-Jones, weather by Jay Drinkall and soji cleaning by Zen monk Shoukei Matsumoto, author of the bestseller A Monk's Guide to a Clean House and Mind. To support a holistic approach to health and wellbeing, an appendix contains guides to sacred spaces, healing herbs, acupressure, kriya yoga and daily practice. --- Acupressure by Maria Christofi, Astrology by Gray Crawford, Herbal Remedies by Paige Emery, Kriya Yoga by Rachel Okimo, Korean Ink Illustrations by Jungran Kim, Mushroom Guide by Ellen Percival Prayer Guide by K Allado-McDowell, Rituals by Alexis Pauline Gumbs, Bhanu Kapil, Nisha Ramayya and Himali Singh Soin, Ritual Spaces by Leila Sadeghee, Seed Bombs by Jenna Sutela, Sonic Meditations by Pauline Oliveros, Spellcraft by Bones Tan-Jones, Tarot by adrienne maree brown, Sarah Faith Gottesdiener and Pam Grossman, Weather by Jay Drinkall

In Stolen Life—the second volume in his landmark trilogy consent not to be a single being—Fred Moten undertakes an expansive exploration of blackness as it relates to black life and the collective refusal of social death. The essays resist categorization, moving from Moten's opening meditation on Kant, Olaudah Equiano, and the conditions of black thought through discussions of academic freedom, writing and pedagogy, non-neurotypicality, and uncritical notions of freedom. Moten also models black study as a form of social life through an engagement with Fanon, Hartman, and Spillers and plumbs the distinction between blackness and black people in readings of Du Bois and Nahum Chandler. The force and creativity of Moten's criticism resonate throughout, reminding us not only of his importance as a thinker, but of the continued necessity of interrogating blackness as a form of sociality.

A wide-ranging collection of interviews, anecdotes, essays, and ephemera concerning one of the most enigmatic bands to emerge from the 1960s hippy scene. Encyclopaedic in scope, passionate in tone, this book is a minotaur's labyrinth of information about one of the most remarkable groups in 20th century music. Be glad, for everything you need to know is here. (Rob Young, The Wire) First published in 2003 and long out of print, Be Glad For The Song Has No Ending: An Incredible String Band Compendium is the definitive book about the ISB. Containing a wealth of interviews, essays, and ephemera from the band's brief but tangled history, this new revised and expanded edition includes two new pieces by ISB member Rose Simpson on Witchseason Productions' idiosyncratic offices and on recording with the ISB in the Sound Techniques studio, as well as interviews with Neil Tennant of Pet Shop Boys, folk musician Alasdair Roberts, and Ossian Brown of Coil and Cyclobe. Contributors include Rowan Williamson (former Archbishop of Canterbury), ISB manager and producer Joe Boyd, Andy Roberts, Billy Connolly, and Raymond Greenoaken.

A music-obsessed retrospective, beginning with his childhood epiphany of rock 'n' roll in the early 1960s into an infatuation with the subversive world of 1970s punk and no wave blasting forth from New York City - where he eventually runs off to join a band in 1978. By 1981 Moore would form the legendary and notorious experimental rock group Sonic Youth, who proceeded to record and tour relentlessly for almost 30 years, always progressing, always exploring.Along the way we meet a constellation of artists and musicians who colluded and collided with Sonic Youth including Velvet Underground, Stooges, Patti Smith, Television, Sex Pistols, Clash, Nirvana, Hole, Beastie Boys, Neil Young and a cavalcade of other musical visionaries, as well as figures from the art world - Jean Michel Basquiat, Keith Haring and Gerhard Richter.Simply put, Thurston Moore and Sonic Youth changed the sound of modern alternative rock music and opened the minds of a generation of artists to new possibilities within the form.

The only book to consider Oi! as a distinct genre within punk rock, What Have We Got? is the story of a musical movement that became a national concern in the eighties and still divides opinion today. Drawing on new interviews with Sham 69, Angelic Upstarts, Cockney Rejects, Crown Court, Lion’s Law, The Templars and many more, Simon Spence considers the genre’s inception and noble intentions, how it fell into infamy, and where it lies now. With a growing and formidable audience in the US, Europe, Asia, South America and the UK, Oi! is as alive as it has ever been, and without the far-right associations that plagued its past.

Book Pages: 312  Published: Duke University Press Published: July 2018In The Universal Machine—the concluding volume to his landmark trilogy consent not to be a single being—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine—and the trilogy as a whole—Moten's theorizations of blackness will have a lasting and profound impact.

During the late 1970s and early 1980s, New York City was financially and socially bankrupt, but the art and music scene was flourishing. During these years, the downtown New York music scene – no wave, hip-hop, disco funk and club culture – shaped Jean-Michel Basquiat as both a musician and an artist. This catalogue for a travelling exhibition explores how Basquiat’s painting has parallels in his music (sampling, cut-up, rapping), and takes a new look at his production as a writer and a poet in light of his connections with the then-emerging hip-hop culture. This beautifully illustrated exhibition catalogue of rarely seen photographs and images sheds new light on Basquiat as a musician, exploring how his art and music are related, and how they reflect on his identity as a Black artist in the United States, the downtown New York music scene, and contemporary culture.

At a time when sales of vinyl records have hit a 25-year high, and analog technologies are providing the kind of extraordinary audio experiences that our increasingly digital world has started to remove, Hi-Fi is essential reading. This unique book explores just how, when, and why the world fell in love with the look, feel, and sound of top-of-the-line audio equipment. Hi-Fi traces this fascinating evolution from the 1950s to today (and tomorrow), taking readers right up to the current renaissance of all things analog and the emergence of cutting-edge designs for die-hard audiophiles. - Format: HardbackSize: 270 × 205 mm (10 5/8 × 8 1/8 in)Pages: 272 ppIllustrations: 300 illustrations

The design, history, and cultural impact of turntables and vinyl technology: the twin powerhouses of the 'vinyl revival' phenomenon Interest in turntables and records is enjoying a renaissance as analog natives and new converts find their enduring style and extraordinary sound inimitable. Revolution, a follow-up to Phaidon's beloved Hi-Fi: The History of High-End Audio Design, explores the design and cultural impact of the turntable, the component at the center of the 'vinyl revival'. An essential book for audiophiles, collectors, and design fans, Revolution showcases the fascinating history of turntables and vinyl technology from the 1950s to today's cutting-edge designs. Written by Schwartz, author of Hi-Fi: The History of High-End Audio Design, who is an audio design expert and passionate about analog music, this book includes 300 illustrations from the world of turntables, from affordable to high-end, and everything in between. An essential addition to the bookshelf for analog natives and those new to the vinyl revival as well as music and design lovers.

From the very beginning, the blues has had a close connection with the LGBTQ community. There is a long and decorated history of so-called ‘dirty blues’ songs, stretching back beyond the earliest attempts to capture the blues on record. The 1920s and 30s saw the release of dozens of raunchy, bawdy blues recordings aimed at a knowing LGBTQ audience. Queer Blues tells the story of the pioneering LGBTQ composers and entertainers that wrote, performed and recorded these wonderfully outlandish, life-affirming songs and chronicles, including: Bessie Smith, Ma Rainey, Josephine Baker to Frankie ‘Half-Pint’ Jaxon and many more. This is the definitive account of the LGBTQ trailblazers of early blues and a fascinating consideration of the intersection between music and LGBTQ history, from the award-winning Darryl W. Bullock.